Program

Day 1 – Tuesday 15 May

09.00-09.30 REGISTRATION / COFFEE & TEA

09.30-09.45
Welcome by Johan De Smet (Museum of Fine Arts Ghent)
Introduction by Marjan Sterckx (Ghent University)

09.45-10.45
Patriarchy, masculinity, and homosocial relations: Mapping the territories”
– Abigail Solomon-Godeau (UC Santa Barbara)

10.45-12.20
Session 1: Fraternal bonds: Mediating masculine intimacy. Chair: Jan Dirk Baetens (Radboud University Nijmegen)

“Brothers-in-law of the brush: The domestic dramas of Édouard Vuillard and Ker-Xavier Roussel”
– Rachel Sloan (Courtauld Gallery)

“The relationship between Gauguin and Laval: A re-evaluation”
– Joost van der Hoeven (Van Gogh Museum)

“Asher Durand’s Kindred Spirits and the homoerotics of transcendentalism”
– Alexis Monroe (New York University)

“’Les Stevens!’ Masculine family bonds and muscles in 19th-century Parisian art life”
– Tom Verschaffel (KU Leuven)

12.20-13.45 LUNCH + OPTIONAL VISIT OF THE MEDARDO ROSSO EXHIBITION

13.45-15.20
Session 2: Coercive bonds: Disciplining the male body. Chair: Katharina Pewny (Ghent University)

“Undressing the army: Health and hygiene on display in Eugène Chaperon’s La douche au Régiment”
– Sean Kramer (University of Michigan)

“Western art and same-gender sexual abuse of enslaved men”
– Thomas A. Foster (Howard University)

“Bazille, painter-Zouave: Homosociality and hypermasculinity at the dawn of the Franco-Prussian war”
– Mary Manning (independent scholar)

“An alliance of virtue: Masculinity, self-reformation, and public actors in Hungary in the Reform Age”
– Éva Bicskei (Hungarian Academy of Sciences)

15.20-15.45 COFFEE + TEA

15.45-17.00
Session 3: Imperial bonds: Othering and the formation of masculine identities. Chair: Jenny Reynaerts (Rijksmuseum)

“‘Une race perfectible’: Black manhood and nudity in Arsène Matton’s Congolese sculpture”
– Thijs Dekeukeleire (Ghent University & University of Antwerp)

“Mystical Manhood: Whirling dervishes in the orientalist imaginary”
– Brigid Boyle (Rutgers University)

“Lions in the tigers’ den: Rival masculinities in the jungles of British India”
– Siddhartha V. Shah (Columbia University)


Day 2 – Wednesday 16 May

08.30-9.00 REGISTRATION / COFFEE & TEA

09.00-09.05
Welcome by Thijs Dekeukeleire (Ghent University & University of Antwerp)

9.05-10.05

“Zahrtmann’s Symposium: Ancient Greek desire in a modern Danish scandal”
– Michael Hatt (University of Warwick)

10.05-11.20
Session 4: Covert bonds: Queering the nineteenth-century man. Chair: Stefan Dudink (Radboud University Nijmegen)

“Binding and unbinding bodies: Simeon Solomon”
– Jongwoo Jeremy Kim (University of Louisville)

“Raphael, Jonah, and Antinoüs: Problems of male beauty and sexuality on the Grand Tour”
– Crawford Alexander Mann III (Smithsonian American Art Museum)

“Aesthetic of the closet: Robert de Montesquiou and the art of collecting”
– Damien Delille (Lumière University Lyon 2)

11.20-12.20
“Male bonding on the motif: Landscape painting and the formation of modern masculinities”
– Anthea Callen (University of Nottingham & Australian National University)

12.20-14.00 LUNCH + OPTIONAL VISIT OF THE MEDARDO ROSSO EXHIBITION

14.00-15.35
Session 5: Forged bonds: Competing for each other’s attention. Chair: Maite van Dijk (Van Gogh Museum)

“Strong, loyal, male: Artists as hunters”
– Maurice Saß (University of Hamburg)

“’The heart is like many instruments’: Technology, engineering, and invention in the circle of Edgar Degas”
– Michelle Foa (Tulane University)

“Everybody’s darling: A male artist society grasping for Loïe Fuller”
– Thomas Moser (Ludwig Maximilian University of Munich)

“Difference and similitude: Gustave Caillebotte and the homosociality of stamps and yachts”
– Samuel Raybone (Leicester University)

15.35-16.00 COFFEE+TEA

16.00-16.30
Concluding remarks
– Henk de Smaele (University of Antwerp)

16.30-17.00
Discussion. Chair: Rachel Esner (University of Amsterdam)


For the PDF version of the program, click here.